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Works Cited

Bickel, B., Leggo, C., and Walsh, S. Arts-Based and Contemplative Practices in Research and Teaching.

         New York, Routledge, 2015.

Cajete, G. Look to the Mountain. Rio Rancho: Kivaki Press, 1994.

Cooper, K. Aesthetic disonance: Fear and courage in questioning. Kosnik, C., Freese, A.,

         Samaras, A. P. (Ed.), Herstmonceux IV: The Fourth International Conference on Self-Study of    

         Teacher Education Practices. vol. 1, 2002, pp.53-58. East Sussex. Retrieved from      

         https://www.researchgate.net/profile/Stefinee_pinnegar/publication/225929693_Exploring_                  the_Concept_of_Dialogue_in_the_Self-Study_of_Teaching_Practices/links/0c96053b165212

         9f9d000000.pdf#page=53         

 

Day, A. “Rise Up”. Cheers to the Fall. Buskin, Warner Brothers, 2015.

 

Eisner, E. W. The Arts and the Creation of Mind. New Haven & London: Yale University Press, 2002.

 

Fels, L. "Presence." Community, Creativity & Inquiry: Drama in Education, 8 March 2016, Simon Fraser 

          University, Burnaby, Lecture.

 

Fels, L. "Woman Overboard: Pedagogical Moments of Performative Inquiry." Arts-Based and 

          Contemplative Practices in Research and Teaching: Honoring Presence, edited by Bickel, B., Leggo,            C., and Walsh, S. New York, Routledge, 2015, pp. 112-123.

Greene, M. Releasing the Imagination. San Francisco, Jossey-Bass, 1995.

 

Henderson, S. Metissage: "Knowing Me… an admittedly selfish journey towards understanding, 

           uncovering and unknowing." For Curriculum Theory and Art Education. Simon Fraser University,

           Burnaby, BC, unpublished, 2015.

 

Humperdink, E. “The Last Waltz”. Barry Mason & Les Reed. Decca Records, 1967.

 

Kelly, V. "Metissage." Curriculum Theory and Art Education, 29 September 2015, Simon Fraser University,              Burnaby, Lecture.

Ling, M. "Culture." Music Education as Thinking in Sound, 21 June 2016, Simon Fraser University,            

           Burnaby, Lecture.

 

Ling, M. "Identity." Music Education as Thinking in Sound, 12 July 2016, Simon Fraser University, 

            Burnaby, Lecture. 

Ling, M. "Scriptions." Artists, Society, and Arts Education, 7 March 2017, Simon Fraser University, Burnaby,               Lecture.

 

Ling, M. "Societies." Artists, Society, and Arts Education, 28 March 2017, Simon Fraser University, 

            Burnaby, Lecture.

 

Nachmanovitch, S. Free Play: Improvisation in Art and Life. New York, Penguin Putnam Inc., 1990.

Nuño, S. Reflection: "Hello, My Name Is…." For Artists, Society, and Arts Education. Simon Fraser 

            University, Burnaby, BC, unpublished, 2017.

 

Ricketts, K. & Snowber, C. “Autobiographical Footsteps: tracing our stories within and through body,

           space and time…”. UNESCO Observatory Multi-Disciplinary Journal in the Arts: Special Issue, 

             A/r/tography and the Literary and Performing Arts, vol. 3, no. 2, 2013, pp. 1-17.

 

Snowber, C. Embodied Inquiry: Writing, Living, and Being through the Body. Rotterdam, Netherlands,

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 Snowber, C. "Place." Ideas and Issues in Aesthetic Education, 6 September 2016, Simon Fraser 

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Snowber, C. "Visceral Creativity: Organic Creativity in Teaching arts/dance education", Organic creativity

           in the classroom: Teaching to intuition in academics  and the arts, edited by Piirto, J., Waco, TX,

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Turino, T. Music as Social Life: The Politics of Participation. Chicago, London: The University of Chicago

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Turner, V. In and Out of Time: Festivals, Liminality and Communitas. Dramas, Fields and Metaphors. 

            Ithica, N.Y., Cornell University Press, 1974.

© 2017 by Stephanie Ann Nuño Hernandez: Proudly created with Wix.com

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NUñO

Who Am I...

 

Stephanie is one half of the vivacious company, Resounding Scream Theatre. A thoughtful artist and educator, Stephanie strives to push her students and audiences creating work that is risky, blunt, challenging, and quirky. Favourite directorial credits include: Listen to Me​, Brink: A Farce Tragedy, What Are You Looking For, and The Laramie Project. Favourite performance credits include: Parental Discretion is Advised, The Troubles, and The Woman Who Was A Red Deer Dressed for the Deer Dance. Stephanie is in the final year of her MEd in Arts Education at SFU and currently sits as Vice Chair of The Board of Directors for Theatre Replacement. You will find her teaching high school performing arts; an age group that finds her outlandishly eccentric approaches more endearing than abnormal.  

 STEPHANIE

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